We cannot barely see. After some minutes a landscape is uncovered, an abandoned scene. Unfinished figures of the locution Ok scatter around the space, covered in resin, dirt and in between bits and pieces of material. Dust fills the space.

The origin of the locution okay hasn't been recognised or remembered. However, linguistics argue that the term might belong to the family of Western African languages such as Wolof, Bantu and Mande.

`Okay´ is identify as the Wolof waaw-kay, meaning `yes´,  it has been proved but not offitially recognised, the influence and importance of the Wolof language among the thousand of Africans condemn by slavery in North America over centuries. These languages able most of Africans individuals to communicate without being understood by their oppressors.
These languages might have resemble the ultimate form of trust in the possibility of freedom and independence. Along 1800 the locution was appropriated and absorbed in by the US army and employed to denote O Kills O Killers in front line of the battlefield before becoming the most popular and fashionable Americanism to denote a state of happiness or closing agreements.
Anonymise, aims to lead us to a space for reflection and inner change.
Bleed Hole
2017
video installation/digital work variable dimensions photographic documents 1/5 films series 2/50 2017
12/2000
2016
series II folded Tv plasma screens La Casa Encendida, Madrid. ES Funded by Generaciones 20216 Fundación MonteMadrid, ES.
speech, speed (...)
2020
Centro de Arte Condeduque Madrid
¨el sol y la muerte no se pueden mirar fijamente¨
2021
serie I, 50 superficies sobre pared. 2020/21
Duress
2021
(Compulsió) Galeria Joan Prats, Barcelona July - September, 2021
MEHR FANTASIE
2018
vitrine, serie II pulverize plasma TV screens, size varies, sample detail 26 kilos Exhibition Tangible Remains Hidden Matters, Gallery DECAD, Berlin 2018
La imagen proviene del interior de una fábrica
2023
Glass plates engraved placed over a rigid grey foam base. Measures vary from 1.10m x 75 cm / 31cm x 41cm. Series of unique pieces. The number of pieces on display varies depending on the specificity of the space. Espai Rampa, La Capella Barcelona.
CHEWING GUM
2014
wooden box, paint, speakers, sound coming form live stream youtube's videos. 24h. Summer Event, Royal College of Art Sculpture Building, London UK. Site specific installation. Edition I, 2014. Edition II, 2022.
SIGNIFICANT CONTACT
2015
Performance and documentary film 08'37'' Participants: Actor and professional fighter Stuart Booth & Seyit Bozdag Duration of the performance: 02:00:00 {Rehearsal 01:56:00 - Show 00:04:00} Court Room, QHS Wellington (Victoria Embankment, London) 08 - 2015
Lightduress
2021
limited series, extra clear glass reliefs. 68 x 106 x 10 cm 2021 - ongoing
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