still of video 3'31''
Julia Varela investigates the materiality of images in the age of digital technologies. Often assumed to be an immaterial object, the image is a latent potentiality whose visual representation relies on a medium. Julia Varela's video piece originates from a photograph of a workshop in Shanghai where LED screens are produced - electronic devices that visually manifest the information received from transmissions of images.
The photograph was sent by a Shanghai-based company through an e-commerce platform. This low-quality, trivial-looking snapshot is then processed through a synthesizer created in 1938 by the Soviet engineer Yevgeny Murzin. A photo-optic algorithm converts the image into sound waves. Varela explores the physical condition of the image, intensifying the pixels through light and sound, to reconsider the authority attributed to images. The visual data stored in the photograph mutates and its waves spread to vibrate our inner ear.
                                                            
black adhesive vinyl
2007
Installation. T1 Barajas Airport Madrid, Spain. 2007.
Three sheets of polystyrene
2014
polystyrene, dirt, red paint. 50m2, PS1 Sculpture Building Royal College of Art, London 2014 The installation is formed by three found sheets of foam that rotate 360 degrees, at different speeds and direction in the room
Es war Erde in ihnen
2019
series of prints, plastic surface. 58x38cmx4mm Edition of 100 2019 - 2021 Exhibited: Restless image, unresolved gaze. Belgrade Cultural Centre BCC, Belgrade, Serbia 2020 Compulsió, Galeria Joan Prats, Barcelona 2021
CHEWING GUM
2014
wooden box, paint, speakers, sound coming form live stream youtube's videos. 24h. Summer Event, Royal College of Art Sculpture Building, London UK. Site specific installation. Edition I, 2014. Edition II, 2022.
La imagen proviene del interior de una fábrica
2023
Glass plates engraved placed over a rigid grey foam base. Measures vary from 1.10m x 75 cm / 31cm x 41cm. Series of unique pieces. The number of pieces on display varies depending on the specificity of the space. Espai Rampa, La Capella Barcelona.
ANONYMISE
2015
Series of unfinished OKAY shapes made of white polystyrene foam covered by cristal clear resin along with dust and waste. The forms are positioned in a dark room and accompanied by a sound piece, 2015.
Bleed Hole
2017
video installation/digital work variable dimensions photographic documents 1/5 films series 2/50 2017
PASTIME
2016
Field trip in search of bones Valley of Alcudia, Ciudad Real. Castilla-La Mancha, Spain 2016
ANONYMOUS
2018
Audio installation I - II 00:20:00. Stereo Ciudad Real, Castilla La-Mancha, Spain. April, 2018 - ongoing
por lo que no se vive
2021
01'26'' Valle de Alcudia Castilla La Mancha, Spain 2016 - 21
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